The Western Mail
23nd July, 1933
Craftsmen
of Wales
A
Poet in the Clogmaker's Shop of Tanygroes
Why
the Sycamore is the Sacred wood of the Craft
By GARETH JONES
The
clogmaker is still a figure in Cardiganshire and in Pembroke-shire. He often carries on the tradition by which the cobbler’s shop is the
university of the village.
This
is certainly true of the clog-maker’s shop at Tanygroes, seven miles north of
Cardigan, where it is a pleasure to listen to Mr. David Thomas talking of his
trade and traditions and to meet his son, Mr. T. 0. Thomas, a poet who has won
nineteen chairs at eisteddfodau and one crown, and was second in the sonnet in
the National Eisteddfod at Swansea.
T.
0. Thomas, poet and clogmaker, sits on his bench, which itself is perhaps a
century old. Welsh friends from the
village gather round, and everyone has a story. Legends are revived, and Mr. David Thomas, the father, tells why the
sycamore has become the sacred wood of the clogmaker:
“When
the Lord was travelling in Jerusalem, Zacchaeus, being a small man, climbed up a
sycamore tree to see Him passing by. The
Lord beheld him on the tree and told him to come down. He did so and became a follower, and ever since that day the sycamore
tree has been consecrated for the making of clogs.”
The Knives
T.
0. Thomas then took a piece of rough sycamore, and with his special tools
rapidly brought it into the shape on which he would begin to carve it with the
old hooked knife. There were four
knives used in the process, the first to cut the block of wood into shape, the
second to snake the “channel,” the third to “hollow,” and the fourth was
the hooked knife, the “cyllell gam,” which is also used to make spoons.
“These
hooked knives were made by an old blacksmith in Maesllyn, Llandyssul,”
explained Mr. David Thomas, “but he has died, and no one can make them to-day.
It was a real art.” The
knife which T. 0. Thomas used was forty years old, and his father has one over a
hundred years old. The difficulty
in making the knives lies in accomplishing a certain double twist essential for
the carving of the clogs.
Unbeatable Clog
“Have
the South Cardiganshire clogs any special characteristics?” I asked. They told me that the South Cardiganshire clog is quite different from
the Lancashire clog, and it is impossible for the Lancashire clogmakers to make
the same shape as the Cardiganshire men.
The
South Cardiganshire clog, it appears, is better for the foot than the Lancashire
clog, which has no instep support. The
Welsh clog is also different in the pattern of the uppers. In South Cardiganshire most people still wear clogs in the country,
especially in the winter. The uppers are of leather and are attached by the clogmaker
to the clogs, which in old Welsh were called “ffollaehau.” Such a clog, which usually lasts about a year, has also a
narrow iron band on the sole having the shape of a horseshoe, and a smaller one
on the heel. The iron is called a
“rasyn.” All the clogs are made
to order.
Old
Ifan Bryngwyn
What
stories of the old clogmakers David Thomas could tell. There was old Ifan Bryngwyn in the last century.
He had no rival in the craft. He
would be at his work when he would hear the cry of the foxhound.
Nothing
could then keep him. Hurling the
clogs away in a clatter, he would rush out and away to the hunt. To illustrate the craftsman’s pride, Mr. Thomas told of how Ifan
Bryngwyn once brought a new pair of clogs to the dainty wife of the innkeeper of
the Ship Hotel. The wife’s
sister, admiring them, was desirous of having clogs for herself from the famous
master, but he turned to her and said: “No, for you I cannot make them, for
your” feet are not shapely enough.”
Another
clogmaker was Ifan Cruddy, Penbank, Peninorfa, a learned man, who died more than
30 years ago and who owned the seat upon which the Tanygroes clog-makers now sit
at their work.
Better
Leather
The
old clog-makers like Ifan Bryngwyn and Ifan Crudd had one advantage over the
craftsmen of to day in that their leather was better. Mr. David Thomas laments the loss of the Welsh tanneries, and says:
“The English leather-makers cannot make such good leather. The old Welsh leather was unbeatable.
The greatest loss we South Cardiganshire clogmakers had was when Bateman,
the currier, Llanarth, died. He
made wonderful leather for the uppers of clogs. Another fine currier was Ehedydd
Emlyn. Newcastle Emlyn, who was a poet. His
widow still lives in Newcastle Emlyn.”
The
old Welsh tanning industry has died cut completely, and the South Cardiganshire
clogmakers have tried leather from Lancashire, Yorkshire, Somerset, Bermondsey,
and. other places, and yet they cannot beat the old Welsh curriers for working
cow hide for clog-making.
It
was difficult to tear myself away from the clogmaker’s shop, from the stories
and the memories. I had seen the.
unity of culture and craftsmanship, of learning and of labour, which still
remains one of the most cherished possessions of Wales.
|
GARETH JONES
(1905 -35) |